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		<title>Guitar.com: Waltz</title>
		<description>Guitar.com</description>
		<link>http://www.guitar.com/waltz/blog/</link>
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			<title>Guitar.com</title>
			<link>http://www.guitar.com</link>
			<description><![CDATA[Feed provided by Guitar.com Click to visit.]]></description>
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			<title>Talking Heads-Stop Making Sense</title>
			<link>http://www.guitar.com/waltz/blog/talking_headsstop_making_sense</link>
			<description><![CDATA[<em>Stop Making Sense</em> is, hands down, the best concert film I have ever seen. (Me, hyperbolic? never.)<br /><br />Released in 1984 it was filmed over 3 nights in 1983 on the Speaking in Tongues tour. The movie opens with a shot of lead singer David Byrne&#39;s shoes walking onto a bare stage. He sets down a boom-box and pushes play, a dramatic conceit, as a drum machine (a <a href="http://en.wikipedia.org/wiki/Roland_TR-808" target="_blank">Roland TR-808</a>, in point of fact) is actually pumping the beat through the sound system and Byrne performs Psycho Killer.  More of the band and more of the set appear onstage with each song. The stage crew deserve big props for  their  hand in silently  positioning  risers and placing  effects pedals. A descending backdrop completes the stage set about 17 min in.<br /><br />Director Jonathan Demme uses long camera shots so that the viewer can truly take in all that the band as to offer. The lighting is subdued and straightforward so as not to detract from the band&#39;s performance. One can really tell that Talking Heads and additional backing band are enjoying themselves.<br /><br />The sound and performance in <em>Stop Making Sense</em> are incredible.  Every band member delivers the goods. Talking Heads are in top form and let the music stand on it&#39;s own while eschewing between song banter. I have to admit I am always a huge fan of a band that gets down to business. The recording is superb. The sound on every song is mixed perfectly and is crystal clear due to the 24 track digital recording.<br /><br /><em>Stop Making Sense</em> captures a point in time, but is still relevant today. All of the songs are solidly written and impeccably performed. The stage concept and directing mesh perfectly. This movie is a joy from beginning to end. It makes one feel a part of something bigger, something beautiful. <em>Stop Making Sense </em>is more than a concert movie, it is art.<br /><br />One last thought. If a Talking Heads bio-pic is ever made I want <a href="http://www.youtube.com/watch?v=WPyvyxcZjfM&amp;feature=related" target="_blank">Wil Wheaton </a>to play David Byrne. Seriously. For reals. He would be genius.<br /><br /><em>Stop Making Sense</em>: directed by Jonathan Demme; director of photography, Jordan Cronenweth; edited by Lisa Day; produced by Gary Goetzman; With: Talking Heads, David Byrne, Chris Frantz, Jerry Harrison, Tina Weymouth, Edna Holt, Lynn Mabry, Steve Scales, Alex Weir, Bernie Worrell.<br /><br /><br />Resources:<br /><br /><a href="http://en.wikipedia.org/wiki/Stop_Making_Sense" target="_blank">Wikipedia</a><br /><br /><a href="http://movies.nytimes.com/movie/review?res=9B06E0DF1439F93AA25753C1A962948260" target="_blank">New York Times</a>]]></description>
			<author>Waltz</author>
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			<title>Noteflight</title>
			<link>http://www.guitar.com/waltz/blog/noteflight</link>
			<description><![CDATA[From the <a href="http://www.noteflight.com/" target="_blank" title="Noteflight">Noteflight</a> site:<br /><blockquote>&ldquo;Noteflight, [...] is dedicated to reinventing the way that people create, share and use written music. Our product doesn&rsquo;t merely improve on other music notation software: it lets written music take advantage of the full power of the web as we know it today. Noteflight is a powerful full-featured application to edit, display and play back music notation in a standard web browser, integrated in an online library of musical scores that anyone can publish, link to, or embed.&rdquo;</blockquote><br />And from what I have experienced this is fairly accurate. It only took me a few moments to figure out exactly how it works. Start out clicking the measure you want to use and a ghost note appears. You then have the option to pick your value, eighth note or whole note etc. You can also pick your rests, sharps and anything else you need. All with the click of your mouse. Noteflight also has playback capability after you create your score. <span style="text-decoration: line-through">The sounds are all piano though, so don&rsquo;t get too excited. Still, it&rsquo;s a rather nice feature.</span> Some how I missed the instrument choices. There are way more options than just piano. You can choose, bass, guitar, drums, violin, and different wind instruments. Sorry for my incompetence.<br /><br />Screen capture of one of my attempts at scoring musical fusion.<br /><br /><img class="alignnone size-medium wp-image-115" src="http://somekindofmuffin.files.wordpress.com/2009/02/noteflight1.gif?w=400&amp;h=287" border="0" alt="noteflight1" title="noteflight1" width="400" height="287" /><br /><br />You can choose to share your score or keep it private. You can also search using keywords or browse and see what you can find. Think <a href="http://www.flickr.com/" target="_blank">Flickr</a>, but with musical scores instead of pictures. There are other music sharing sites, such as <a href="http://www.icompositions.com/" target="_blank">iCompositions</a>, though you must have instruments and the ability to record to participate. For Noteflight all one needs is a computer, which admittedly not everyone has, but you get my point.<br /><br />Current issues include some keyboard shortcuts not working in Internet Explorer for Windows. Unfortunately these are the most used shortcuts: C (Copy), X (Cut), V (Paste), S (Save), Y (Redo) and Z (Undo). You may, however, use the mouse to perform these functions, so no biggie. An additional issue is that very large MusicXML compositions or MusicXML compositions with more than 20 parts may not import correctly. Two things about that. First, they are only on Beta version 3 and it should be an easy fix. Second, who the eff is doing more than 20 parts with this? Pretentious blowhards, that&rsquo;s who (disclaimer: if you are one of these pretentious blowhards I am totally not referring to you, it&rsquo;s some other pretentious blowhard). One other problem is that you are limited to using the volume on your computer only and mine is kinda quiet. I would like a volume option built in so I could boost it even louder. (insert obligatory <em>Spinal Tap</em> joke here)<br /><br />I have actually been hoping for a program like this for some time. I can read a little music and have always wanted to be better at writing it to save the songs I create. Noteflight is a great way for me to ease back into it and get my knowledge level up. Where I think this program really excels,however, is in the experimentation. Even if you have no clue that there is this thing called music and that it can be the most beautiful or most ugly thing the world, sometimes both at once(I&rsquo;m looking at you Frank Zappa), you can use Noteflight. Log on, create an account and just start clicking. Go there now and have some fun before they get wise and start charging for it.<br /><br /><a href="http://www.noteflight.com/" target="_blank">http://www.noteflight.com/</a><br /><br />TROZ]]></description>
			<author>Waltz</author>
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			<title>Zoom G2.1U</title>
			<link>http://www.guitar.com/waltz/blog/zoom_g21u</link>
			<description><![CDATA[A long time ago, in this very same city, let&#39;s say 1998 and let&#39;s say it was in Portland, I had a&lt;a xhref=&quot;http://www.samsontech.com/products/productpage.cfm?prodID=1624&quot; target=&quot;_blank&quot;&gt; Zoom 505 multi-effect pedal&lt;/a&gt;. It was awesome. A bank-up pedal, a bank-down pedal, push both for bypass and attach an external expression pedal for wah or fading effects in or out. 24 effects to choose from with up to 9 at a time! So if I wanted an auto-wah fuzz noise-reduced amp simulating phaser doubled with pitch shift and delay I was all over it. In 2005 Zoom updated the pedal and dubbed it the G1 and then followed it with the G2. I got myself the &lt;a xhref=&quot;http://www.samsontech.com/products/productpage.cfm?prodID=1854&amp;amp;brandID=4&quot; target=&quot;_blank&quot;&gt;Zoom G2.1U &lt;/a&gt;on account of the built in expression pedal and the usb interface.<br /><br />Obviously the G2 has more processing power than the 505. Also new is the amp modeling technology. If you are unfamiliar with amp modeling it&#39;s when a company analyzes &lt;a xhref=&quot;http://www.youtube.com/watch?v=f9KVRiHr8gc&quot; target=&quot;_blank&quot;&gt;the way a 1969 Marshall Plexi sounds&lt;/a&gt;&lt;a xhref=&quot;http://www.youtube.com/watch?v=f9KVRiHr8gc&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;and then puts that sound in a chip and puts that chip in a pedal and sells it to me because I can afford the effects pedal, but not the 1969 Marshall Plexi. The Zoom G2 packs 16 classic amp and stomp box models. Also included are two Zoom original designs the Zoom Extreme Distortion and Zoom Digital Fuzz. If you use it right the Zoom Extreme Distortion can get a decent approximation of Dimebag Darrell&#39;s sound.<br /><br />Of the amps that Zoom used as models I have only ever owned the &lt;a xhref=&quot;http://www.rolandus.com/products/productdetails.aspx?ObjectId=249&amp;amp;ParentId=57&quot; target=&quot;_blank&quot;&gt;Roland Jazz Chorus&lt;/a&gt;, and kick myself everyday for selling it. The Roland Jazz Chorus emulation sounds just like a Roland Jazz Chorus emulation. I can tell what they&#39;re going for, but it&#39;s clearly not the real deal. Still, it is a very nice, clean sound. My biggest problem, unfortunately, &lt;em&gt;is &lt;/em&gt;all of the amp models. The amp modeling seems like a great idea, right? And it is, kinda. The distortion choices on the 505 we more generic like OD, Rythym, Metal. But my memory is that they were more tweakable and that you could actually get a more original sound. The amp models on the G2 let you adjust them a bit, but it&#39;s mostly less gain or more gain.<br /><br />That being said, I really do enjoy the G2.1U and would choose it over the 505 due to the built in expression pedal and the fact that all of the other effects (54 this time, still only 9 at once) are really quite good, even the distortions. The interface takes some getting use to, but like anything practice makes perfect. The moment I actually felt I started to understand how the thing works is after visiting a site where people share their custom patches (sounds they came up with using the G2). Have a Zoom G2.1U and want to sound like The Edge or James Hetfield? Do a search and program away. The site is at haax.se, the exact address being: &lt;a xhref=&quot;http://www.haax.se/manualsite/index.php?unit=G2&quot; target=&quot;_blank&quot;&gt;http://www.haax.se/manualsite/index.php?unit=G2&lt;/a&gt;<br /><br />This was meant to be a short entry about the merits of the Zoom G2.1U, but I got a little off track and a little long winded (type-ed?). Anyway, take what you will and feel free to contact me with any questions about either Zoom pedal. There really is just too much to include in one entry.<br /><br />[caption id=&quot;attachment_146&quot; align=&quot;alignleft&quot; width=&quot;96&quot; caption=&quot;Zoom 505&quot;]&lt;img class=&quot;size-thumbnail wp-image-146&quot; title=&quot;5052&quot; xsrc=&quot;http://somekindofmuffin.wordpress.com/files/2009/01/5052.gif?w=96&quot; alt=&quot;Zoom 505&quot; width=&quot;96&quot; height=&quot;96&quot; /&gt;[/caption]<br /><br />[caption id=&quot;attachment_147&quot; align=&quot;aligncenter&quot; width=&quot;128&quot; caption=&quot;Zoom G2.1U&quot;]&lt;img class=&quot;size-thumbnail wp-image-147&quot; title=&quot;g21u2&quot; xsrc=&quot;http://somekindofmuffin.wordpress.com/files/2009/01/g21u2.jpg?w=128&quot; alt=&quot;Zoom G2.1U&quot; width=&quot;128&quot; height=&quot;92&quot; /&gt;[/caption]]]></description>
			<author>Waltz</author>
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			<title>Noteflight Score &quot;Pretention&quot;</title>
			<link>http://www.guitar.com/waltz/blog/noteflight_score_pretention</link>
			<description><![CDATA[So, I have finished a small piece on Noteflight. It&#39;s just me messing around, but I thought I would share. Check it out, let me know what you think. Also, I would like to put it out there if anyone else wants to create a Noteflight account we can start our own little community of sharing our scores. The link to my score is below.<br /><br />&lt;a xhref=&quot;http://www.noteflight.com/scores/view/73ef3e1b6f35b354b84f046001e128cec5eacc44&quot; target=&quot;_blank&quot;&gt;Pretention&lt;/a&gt;]]></description>
			<author>Waltz</author>
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			<title>On the merits of catching the opening band</title>
			<link>http://www.guitar.com/waltz/blog/on_the_merits_of_catching_the_opening_band</link>
			<description><![CDATA[Twice now I have gone to see specific headlining bands and wound up being blown away by the opening acts. Before I get to the who and how let me make one point. You&#39;ve spent the money, it&#39;s for both bands, why not go? I understand if you know the opening act and think they suck. Sure, don&#39;t go then. But if you&#39;ve never heard of them, go check &#39;em out.<br /><br />Now the who etc.<br /><br />First, we went to see <a href="http://www.tmbg.com/index1.html" target="_blank">They Might Be Giants</a>. They are all that and a book on math. So good. The opening band was <a href="http://www.oppenheimermusic.co.uk/" target="_blank">Oppenheimer</a>. They are from Ireland. It&#39;s just two guys, Shaun Robinson and Rocky O&#39;Reilly. They use a prerecorded, preprogrammed portions of songs when performing live. Shaun sings and plays drums while Rocky plays guitar, provides vocoder vocals, and plays the mighty Moog. Oppenheimer has a synth-pop sensibility and et completely rock. From the slow jam of <em>Breakfast in NY</em> to the upbeat and catchy <em>Saturday Looks Bad To Me</em> Oppenheimer has it all.<br /><br /><br />Second, we wet to see <a href="http://www.thegoteam.co.uk/flash/News.html" target="_blank">The Go! Team</a>. Best show ever! If you have the means I highly recommend checking them out. The opening band for that concert was <a href="http://www.bodiesofwater.net/" target="_blank">Bodies Of Water</a>. Bodies Of Water hail from some part of L.A. They have a decidedly retro feel. Bodies Of Water have clearly done their homework and sound authentic and yet new. They have an infectious energy. Especially from Meredith Metcalf, and especially at the end of <em>These are The Eyes</em>. Bodies Of Water also having a brilliant vocal approach that is both four part harmony and call and response.<br /><br /><br />Check out the above bands and see if they appeal to you. They both have something different to offer. But most of all go see the opening act. You may be pleasantly surprised.]]></description>
			<author>Waltz</author>
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			<title>Betty Blowtorch And Her Amazing True Life Adventures</title>
			<link>http://www.guitar.com/waltz/blog/betty_blowtorch_and_her_amazing_true_life_adventures</link>
			<description><![CDATA[Originally released in 2003 &lt;a xhref=&quot;http://www.imdb.com/title/tt0366227/&quot; target=&quot;_blank&quot;&gt;Betty Blowtorch And Her Amazing True Life Adventures&lt;/a&gt;&lt;a xhref=&quot;http://www.bettyblowtorch.com/&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;is a movie about the ups and downs of the band Betty Blowtorch. Anthony Scarpa spent two years filming the band and got some great footage. We get to see video shoots and record deals go south and Vanilla Ice doing a bong hit, but at it&#39;s heart this is the story of the life of Bianca Butthole (n&eacute;e Bianca Halstead).<br /><br />The movie opens with one of many Betty Boop clips that are unfortunately peppered throughout the movie. I understand what director Anthony Scarpa was doing, but I would have preferred they were kept out entirely. After that we see the band filming a video and this scene sets up the whole movie by showing you what Betty Blowtorch is all about right away. Off camera the video directors calls for &quot;play back&quot; and Bianca responds &quot;No thank you. Sound&quot; indicating they are not completely comfortable with the set up. They want to rock not pretend. A little bit into the shoot Bianca is on the receiving end of too much glitter confetti and has to take a moment to stop lip syncing. The filming continues until she can shake the glitter confetti attack. I love this scene because it highlights the ridiculousness and artifice of the music industry and the fact that Betty Blowtorch doesn&#39;t quite fit in.<br /><br />We then get to see the creation and disbanding of &lt;a xhref=&quot;http://www.myspace.com/thombone&quot; target=&quot;_blank&quot;&gt;Butt Trumpet&lt;/a&gt;, the pre-Betty Blowtorch band. There are some great interviews with Thom Bone whose goal was to start &quot;the last punk rock band.&quot; His altruistic ideas and desire to sell $8 not $20 band shirts causes a rift within the band and leads to his leaving, or getting thrown out depending on who is being interviewed. The movie then shows us how Betty Blowtorch came to be in the post Butt Trumpet fall out. We get interviews with Duff McKagan, and get to see Rob Van Winkle, AKA Vanilla Ice, do a bong hit (did I already mention that?). And when the ending that I knew had to come does in fact come I was actually taken by surprise.<br /><br />Betty Blowtorch And Her Amazing True Life Adventures has a few problems. The main problem being, for me, the length of the film and the editing choices. The Vanilla Ice segment could have been shortened (he does a bong hit btw) and there is a road story involving flinging pies and poo between vans that I would have liked to have seen put in the end credits instead of in the middle of the movie. Also there is a point where the band members have a falling out and we are given vague answers as to what started it; normal band tension on the road, managers mishandling communications. Scarpa could have delved a little more into this and gotten the band to open up so we could really know what was going on.<br /><br />While Scarpa does find a narrative he needed to tighten this up a little more and tell a more concise story. I believe he could have cut some from this film and still honored Bianca&#39;s memory. Though it is slow at times and could have been presented in a more compelling manner Betty Blowtorch And Her Amazing True Life Adventures is a great find and is for anyone who is a fan of rock music and loves an underdog (or wants to see Vanilla Ice do a bong hit-oh, and also rap about how big his manhood is).<br /><br />This film is not rated, but is definitely for the &quot;R&quot; crowd.<br /><br />&lt;em&gt;Betty Blowtorch And Her Amazing True Life Adventures&lt;/em&gt;: directed by Anthony Scarpa;&nbsp; director of photography, Anthony Scarpa; edited by Anthony Scarpa; produced by Scott Milano, Jade Robledo, Anthony Scarpa, Kelly Spencer; With: Betty Blowtorch, Bianca Butthole, Blare N. Bitch, Sharon Needles,&nbsp; Judy Molish]]></description>
			<author>Waltz</author>
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			<title>Koblo Part 1: Just Pokin' Around</title>
			<link>http://www.guitar.com/waltz/blog/koblo_part_1_just_pokin_around</link>
			<description><![CDATA[Koblo is a free open source &quot;music system&quot; that allows you to record and manipulate audio and also share your projects with others.<br /><br />Let me get this first bit out of the way. I couldn&#39;t find a tutorial anywhere. I clicked a link on the Koblo website that read &quot;tutorials&quot; and it took me to a page with useful looking phrases like &quot;creating a new project&quot; and &quot;import audio.&quot; Unfortunately that&#39;s all they were, phrases. No links, no tutorials.<br /><br />To be fare Koblo is still in beta and is a work in progress and much of the site has text like this:<br /><pre>You opens the AUX reck by clicking on the AUX button in the top corner of the track editor, selecting it from the view menu o pressing the &quot;/&quot; shortcut <br /><br />--------------------------------------------------------------------<br />ECHO<br />--------------------------------------------------------------------<br />&bull; Time: bla. bla. bla....<br />&bull; Feedback: bla. bla. bla....<br />&bull; Lo Filt: bla. bla. bla....<br />&bull; High Filt: bla. bla. bla....</pre><br />Clearly they need to do some detail work, but no biggie. Free open source software!<br /><br />I did find out through trial and error that you must first create or load a project before importing audio. The interface to import audio needs a little work. It looks super old school and involved way too much clicking. When importing from my iTunes I was given the choice of importing as stereo or two mono tracks. I went for the latter just to see what would happen. I discovered on accident that if you drag both tracks in not properly lined up you get a delay effect. Lots of fun.<br /><br />The next thing I tried was the AUX rack, which in my version has K-Echo and K-Verb. I clicked on the arrow next to the track and a drop down appeared with controls for level of each effect. Adjusting the effects themselves, amount of delay etc., takes place in a separate AUX rack window. After that I wanted to see what I could do with one of my Garage Band projects that I had saved as an MP3. I was given the same options of two mono tracks or one stereo track.<br /><br />One last quick note. There are free demo projects to download that have a bunch of different sounds in them to build up your library. You can also purchase Remix Kits and Plugins to add versatility.<br /><br />Koblo needs some work, but again it is still in beta and I have only scratched the surface of what it has to offer. I recommend checking it out yourself, especially if you can not afford Garage Band or Pro Tools.<br /><br />To be continued...<br /><br />Screen cap<br /><br />[caption id=&quot;attachment_215&quot; align=&quot;aligncenter&quot; width=&quot;500&quot; caption=&quot;Koblo Screen Cap&quot;]<img class="size-full wp-image-215" src="http://somekindofmuffin.wordpress.com/files/2009/02/koblosc1.gif" border="0" alt="Koblo Screen Cap" title="Koblo Screen Cap" width="500" height="312" />[/caption]]]></description>
			<author>Waltz</author>
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			<title>Psychotic Waltz-The best band you never heard</title>
			<link>http://www.guitar.com/waltz/blog/psychotic_waltzthe_best_band_you_never_heard</link>
			<description><![CDATA[<p>Or even heard of, until this post. <a href="http://www.psychoticwaltz.com/" target="_blank">Psychotic Waltz </a>was one of the best progressive metal bands of the 80s and 90s. The band formed in San Diego in 1986. Originally they had gone under the name of Aslan, yes that Aslan, but had to change their name as there was already and Aslan, and that Aslan was punk. Hmmm, punk....Aslan, hmmmm. The name Psychotic Waltz came from a song of theirs by the same name which features a wonderful rant from a band members crazy relative. The rumor is they actually went to visit him at a mental health facility and asked him to expound on the term psychotic waltz. Anyway, Psychotic Waltz had an amazing sound. They were not afraid to push the limits, at least not in the beginning, but more on that later.</p> <p>The original lineup Was as follows: Buddy Lackey-vocals; Dan Rock-guitar; Brian McAlpin-guitar; Norm Leggio-drums; Ward Evans-Bass. This was, in my opinion the best and only real PW lineup. Leggio and Evans had a wonderful rhythm section interplay were sometimes they were synchronized and sometimes offset. The guitar team of McAlpin and Rock was unbelievable. Amazing, intricate rhythms and soaring, blistering, emotional harmonized leads.</p> <p>PW&#39;s debut album A Social Grace is a wonderful mix of everything the band had to offer. You get the Ballad <em>I Remember</em> and the creepy sounding <em>Spiral Tower</em>. Lyrically Lackey has always worn his influences on his sleeve. From the name of the album (nod to Jethro Tull) to track 3 <em>Another Prophet Song </em>(Nod to Queen).Psychotic Waltz peaked rather early artistically and it is my opinion that their second effort, 1992&#39;s Into the Everflow is the best PW album. The opening is ethereal and engaging and fades right on into a full blown mental and emotional experience that carries the listener on through to the last track <em>Butterfly</em> in which Lackey gives lyrical nods to almost everyone whoever influenced him musically.</p> <p>The following two albums, Mosquito and Bleeding, are solid efforts and would be impressive from any other progressive metal or rock band. As follow ups to Into the Everflow, however, they fall a little flat. By the time of Mosquito Psychotic Waltz had seen their chance for major success come and go and slightly watered down their approach to be more accessible and yes, they were kind of selling out. Even with this Mosquito and Bleeding are enjoyable and PW does stretch itself a little with the psychedelic regae number <em>Mindsong</em>.</p> <p>Ward Evans left the band prior to Mosquito and Brian McAlpin had to leave prior to the tour in support of Bleeding. PW also faced legal matters due to a blinded crew member on the video shoot for <em>Faded</em>. Pile all of this on top of increasingly disparate musical tastes and you get the end of Psychotic Waltz by 1996. Buddy Lackey had released a solo album around the time of Into the Everflow and continues to make music to this day, though now under the moniker of Devon Graves with his band<a href="http://www.deadsoultribe.com" target="_blank"> Dead Soul Tribe</a>, a rock/metal act and lives in Austria(Yes PW WAS huge in Germany). Dan Rock had the band Darkstar for awhile which served up progressive instrumental rock.Norm Leggio appears to be in the heavy metal band <a href="http://www.cageheavymetal.com/" target="_blank">Cage</a>, but I was unable to find more info on Ward Evans or Brian McAlpin. Whatever the are doing now, for a short time the members of Psychotic Waltz made some of the best progressive metal around and inspired me personally to push myself musically.</p> <p>I was lucky enough to see Psychotic Waltz live many times and even briefly took vocal lessons from Buddy Lackey. You can actually find them and the various side and post projects on Amazon.com. I highly recommend the for any metal, progressive, or rock fans.</p> <p>Video for <em>Faded</em><br /> [youtube=http://www.youtube.com/watch?v=1Jdq23guwtw&amp;hl=en&amp;fs=1]</p> <p class="MsoNormal"><a href="http://www.psychoticwaltz.com/PW/images/cds/demo.JPG"><img src="http://www.psychoticwaltz.com/PW/images/cds/demo.JPG" border="0" /></a></p> <p style="font-family: arial" class="MsoNormal"><span style="font-size: 85%"><span style="font-family: arial">Psychotic Waltz (Demo) (1988)<br /> 1. ...And the Dev</span></span><span style="font-size: 85%"><span style="font-family: arial">il</span></span><span style="font-size: 85%"><span style="font-family: arial"> Crie</span></span><span style="font-size: 85%"><span style="font-family: arial">d<br /> 2. Sucessor<br /> 3. Halo of Thorns<br /> 4. I of the Storm</span></span></p> <p><a href="http://www.psychoticwaltz.com/PW/images/cds/grace.JPG"><img src="http://www.psychoticwaltz.com/PW/images/cds/grace.JPG" border="0" /></a></p> <p><span style="font-size: 85%"><span style="font-family: arial"><span style="font-style: italic">A Social Grace</span> (1990)</span><br /> <span style="font-family: arial">1. ...And the Devil Cried</span><br /> <span style="font-family: arial">2. Halo of Thorns</span><br /> <span style="font-family: arial">3. Another Prophet&#39;s Song</span><br /> <span style="font-family: arial">4. Sucessor</span><br /> <span style="font-family: arial">5. In this Place</span><br /> <span style="font-family: arial">6. I Remember</span><br /> <span style="font-family: arial">7. Sleeping Dogs</span><br /> <span style="font-family: arial">8. I of the Storm</span><br /> <span style="font-family: arial">9. A Psychotic Waltz</span><br /> <span style="font-family: arial">10. Only in a Dream</span><br /> <span style="font-family: arial">11. Spiral Tower</span><br /> <span style="font-family: arial">12. Strange</span><br /> <span style="font-family: arial">13. Nothing</span></span></p> <p><a href="http://www.psychoticwaltz.com/PW/images/cds/everflo.JPG"><img src="http://www.psychoticwaltz.com/PW/images/cds/everflo.JPG" border="0" /></a></p> <p><span style="font-family: arial; font-size: 85%"><span style="font-style: italic">Into the Everflow</span> (1992)<br /> 1. Ashes<br /> 2. Out of Mind<br /> 3. Tiny Streams<br /> 4. Into the Everflow<br /> 5. Little People<br /> 6. Hanging on a String<br /> 7. Freakshow<br /> 8. Butterfly<br /> 9. Disturbing the Priest (Bonus Track)</span></p> <p><a href="http://www.psychoticwaltz.com/PW/images/cds/skeeter.JPG"><img src="http://www.psychoticwaltz.com/PW/images/cds/skeeter.JPG" border="0" /></a></p> <p><span style="font-family: arial; font-size: 85%"><span style="font-style: italic">Mosquito</span> (1994)<br /> 1. Mosquito<br /> 2. Lovestone Blind<br /> 3. Haze One<br /> 4. Shattered Sky<br /> 5. Cold<br /> 6. All the Voices<br /> 7. Dancing in the Ashes<br /> 8. Only Time<br /> 9. Locked Down<br /> 10. Mindsong<br /> (Hidden Track: Darkness)</span></p> <p><a href="http://www.psychoticwaltz.com/PW/images/cds/bleed.JPG"><img src="http://www.psychoticwaltz.com/PW/images/cds/bleed.JPG" border="0" /></a><br /> <span style="font-family: arial; font-size: 85%"><br /> <a href="http://www.megaupload.com/?d=KH3W11KJ"><span style="font-style: italic">Bleeding</span></a> (1996)<br /> 1. Faded<br /> 2. Locust<br /> 3. Morbid<br /> 4. Bleeding<br /> 5. Need<br /> 6. Drift<br /> 7. Northern Lights<br /> 8. Sleep<br /> 9. My Grave<br /> 10. Skeleton<br /> 11. Freedom?</span></p>]]></description>
			<author>Waltz</author>
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			<title>You’re Gonna Miss Me</title>
			<link>http://www.guitar.com/waltz/blog/youre_gonna_miss_me</link>
			<description><![CDATA[<p><em>You&rsquo;re Gonna Miss Me</em> is a documentary about Roger Kynard &ldquo;Roky&rdquo; Erickson. For those of you not in k the know Roky was a co-founder, guitarist and singer for 13th Floor Elevators, one of the first psychedelic bands of the 1960s. The film opens with a court scene in which Sumner Ericskon, Roky&rsquo;s youngest brother, is attempting to gain guardianship of Roky from their mother Evelyn. So we have our set up for the movie-a family power struggle of sorts. Next we see the band performing their best known song &ldquo;You&rsquo;re Gonna Miss Me&rdquo; on a 1966 TV appearance on Dick Clark&rsquo;s show of while the likes of Billy Gibbons extol the talents of Roky and the glorious future 13th Floor Elevators should have had. Director Keven McAlester then juxtaposes the image of a young Roky and words of how amazing he was with a shot of his current self; older, heavy set, and, well a little off his nut and in need of someone else&rsquo;s care. The rest of the film takes us through Roky&rsquo;s drug use and persecution by local law enforcement and his incarceration in a mental facility. We get to see that even after 10 years of being commited Roky was able to come out and be fairly successful and prolific as a musician. And here&rsquo;s the kicker, his music with Roky Erickson and the Aliens was good! But this is not a story of triumph, not yet anyway. Roky was mentally ill and needed treatment and medication the whole time after he was released. Instead he self medicated with a variety of illegal substances that contributed to his decline and eventual need of care.</p> <p><em>You&rsquo;re Gonna Miss Me</em> is as much about Evelyn Erickson as it is Roky. She clearly has her own issues and spends a lot of time creating large murals and collages chronicling Roky&rsquo;s rise and fall. We also get a little bit about how her husband and father of her four boys may have been a pedophile that completely jacked up one or all of the boys, but there is no follow up. Roky and Evelyn are kindred spirits. Both artistic and both a little bonkers. We get to see the filth they both live in. Evelyn and Roky appear to need visual and aural clutter to calm their frantic minds.</p> <p>In the end Sumner does get guardianship of his brother and helps him get treatment with Sumner&rsquo;s own therapist, or &ldquo;mentor&rdquo; as he calls her. The therapy scenes were physically painful for me as they don&rsquo;t look at all like they would be helpful. She has the brothers march/walk in a circle. There is also a moment when the therapists asks Roky what he wants to do when he is better and he says he wants to go see his mother and talk to her. Sumner is visibly upset. Despite my opinion, the therapy has apparently worked as Roky has Roky Erickson and The Explosives and has been playing shows again, including 2007&rsquo;s Bumbershoot.</p> <p>This is an interesting film and is full of interesting characters. There is actually a lot to digest and I recommend multiple viewings. So much I haven&rsquo;t touched on, like Evelyn&rsquo;s exploitation of Roky for her wacked out home movies or a beautiful shot of the Erickson patriarch leaving Sumner&rsquo;s house and walking right next door to his own. You have to see this to understand why it had such an impact on me. <em>You&rsquo;re Gonna Miss Me</em> is a great documentary about some one who should be more famous and more successful than he is, but it is also a story of the triumph of brotherly love and responsibility.</p>]]></description>
			<author>Waltz</author>
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