Forums > Gear talk > Peavey Classic 30
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Original message:287 days 22 hours 16 minutes ago
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Member: Luke Dennis
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My Peavey Classic 30 came yesterday. I love the thing. I love tubes!
My music recommendations:
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Reply:287 days 9 hours 29 minutes ago
Member: Xarkzila
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Just don't let it go downhill, and for gods sake cut back on the mids!

We had one in the studio recently. It's been a headache throughout the whole project. Part of this, the guitar player's fault, for setting it to sound all midrange and refusing to change that because it's his "tone." (BTW, screeching mids are NOT tone.) The problem is that with such a midrangy amp it kills all the other sound. Everything competes for the mid range area and when you have a guitar eating up all that space, it makes everything else sound bad if you can hear it at all.

Then you have bad tubes and dirty connections to deal with. (Yeah, a punk band of 30 somethings.) Just surprises me how many people come into the studio with gear that is obviously not taken care of and expect it to sound great because they're in a studio.

Enjoy it and TAKE CARE OF IT. It should serve you well.
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"The music industry is a cruel and shallow money trench. A long plastic hallway where theives and pimps run free and good men die like dogs. There's also a negative side..."
http://www.cleargravy.com
Reply:287 days 5 hours 2 minutes ago
Member: johnny cox
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Glad you got it. I have been playing through a Classic 50 for a good while. Xark is right about the mids. My settings are

treble=7
middle=3
bass=9
presence=6
But that is just my prefference.
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Plug in, turn up and spank the plank
Reply:283 days 20 hours 11 minutes ago
Member: Luke Dennis
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You guys are correct, cutting back on the mids made a bit of difference in the sound.

I have always taken good care of my stuff. (And everyone else's) But is there anything I should know about tube amps? This is my first.
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Reply:283 days 6 hours 18 minutes ago
Member: Xarkzila
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Not too much to know. Don't leave it in the cold and then take it inside and fire it up right away. Let it get used to it's environment first! Tubes will cause condensation that can adversely affect your amp.

As far as the tubes go... Owning a studio means I don't push ANYTHING to the limit. I change ALL my tubes on ALL my tube gear every year. (Amps, pres, compressors, mics, emulators, anything with a tube gets a new tube every year.) We do this because if something craps out in the middle of a session, we'll be wasting an hour or more searching for the issue and changing tubes. Not good during a session where the client has limited time.

Tubes usually last much longer than a year, but we can't take the chance like you can. You'll notice changes or sounds that just aren't right. This won't keep you from playing, but will be an indicator that it's time to change the tubes. There's a lot of info about this on the net, so just do some searches. The most common tube problem is a tube becoming "microphonic." This means that the tube appears to start picking up other sounds. This is due to vibration and can be checked by lightly tapping the tube with the eraser end of a pencil. If you hear the tapping, time to change the tube.
My gear recommendations:
  
"The music industry is a cruel and shallow money trench. A long plastic hallway where theives and pimps run free and good men die like dogs. There's also a negative side..."
http://www.cleargravy.com
Reply:283 days 19 hours 1 minutes ago
Member: Zombre
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lol Don't drop it. This amp is very cool (I use one all the time, it sounds great) but it's a bit of a "barker"... lol
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Nyah Nyah na naa Naaaaaaa!!!!
Reply:283 days 6 hours 42 minutes ago
Member: Desmond
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544
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I've gone a long time without actively playing. Through my younger days, I fed my toys through a mid-sixties Fender amp with those four huge-mongous Jensens in it. I love the sound -- but the thing is so HEAVY !!

The pals at the corner music store sent me home for a weekend with a PV Classic 30. I was immediately in lust.

I use two guitars; now playing again in a worship-music environment (a bit of a change since the jazz-fusion days of my youth) -- a 64 Strat/Rosewood and a big-fat Yamaha Hollow-Body (early 80's L5 copy). Both guitars sound great through this little thing! I am still getting used to playing with it ... but it is so much richer than any solid-state boxes on the shelf.

I appreciate the feedback on the settings Mr. Cox.

I feel like a kid-in-the-candy-store playing with the dirty channel on this thing. I've never played with distortion in my life ... and sometimes I look-down at that little-amp and think --- "Who is making this sound that's coming-out of my amp?" The Fender stayed clean until my eardrums hurt and I've never used any 'boxes' except a Wah and an old MXR Phase90.

I made a couple of mods to my PV. When I first got it it made a terrible sound when you'd play any A in the fifth-position. I actually Googled the problem and found this guy who makes a tube-holder that uses springs to hold-down the tubes. It keeps them from vibrating and slipping. About $40. The other thing I bought was an aluminum cage that goes across the back to protect the tubes during transport. Again, about $40 bucks. Both mods were self-installable and the spring-thing is amazing at how it cleaned-up that terrible tone in the middle of the neck.

Now, I must start playing with toys. Overdrive, echo, cab models and such. Those darn toys are expensive!!

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