I do like those Morleys. I tried out the Bad Horsey, and the Mark Tremonti, and they were pretty cool.

get an envelope filter it cuts a wah in on your attack soooooooooo tasty mmmmmmmmmmmmmmmmmmmmm deeeellllllllllllllliiiiiiccciiiiiiiiiiiiouuuuuuussssss

Well, also some pickups have that "wah" feel in their sound, like the DiMarzio Fred and ToneZone...

The Dimarzio Fred? That's the one tha Satch plays with. I ,ight have to check that pick up out myself.

What does an envelope filter do to the sound?

Flangers do sort of a wah thing. The tone will cycle from fat to thin at whatever rate you set it for. I have an Ibanez flanger that I'm fond of.

With Kisser I might be able to help you out. From the "Guitar World" March 07' issue.. "I try to keep it as simple as possible live, " states Kisser. "I don't use that much stuff in the studio either; I keep it pretty direct. I just use my Mesa/Boogies, my Cry Baby wah and sometimes a little chorus or delay." Onstage, Kisser prefers his Planet Waves cables to a wireless.
The only thing Kisser stomps when onstage is the pedal he loves most: his Cry Baby. Offstage, his tech, Silvio Gomes, switches his Boss Super Chorus in and out when required.
Even though his Mesa/Boogie Triaxis preamp has 90 user preset locations, Andreas uses only a couple of them. "My guitars are tuned to D and B flat, and I just have one Triaxis setting for each," he says. "Naturally, the B flat tuning has more lows, and I use heavier-gauge strings for the B flat guitar, too. On the Triaxis, that setting has a little less low end and maybe a little more high end."
This guy uses three MIM Stratocasters, all three have Floyds, and the pick-ups are Custom Fender Humbuckers in the bridge position and stock Fender single-coils for the middle and neck for all three.
He says his "secret weapon" is his Masa/Boogie Triaxis and Strategy 500. He started using them in 93' and they've been the body of his sound ever since.
His rack contains the following..
Mesa/Boogie Strategy 500 power amp
Rocktron Hush Super C
Mesa/Boogie Triaxis Preamp
Santa Angelo M6 Splitter
Furman PL-Plus & PL-8 Power Conditioners.

On the floor..
Dunlop Cry Baby Wah
Whirlwind A/B Selector
Boss CH-1 Super Chorus

All this is run through four Mesa Angled-Front 4x12 cabs Loaded with 75-watt Celestion Speakers. I basically put all this stuff in because you might be able to identify what he uses and modify it to fit your own needs. Good luck.

Well, I have the CF7 Chorus/Flanger from Ibanez. The Tone Lock pedal. I have found that I like it if I have it on a real slow setting. along with the delay set pretty high so it almost echoes. I have to get a new plug in chord for my CF7. I had to sacrifice it to the Weeping Demon wah. It has been well worth it. I just miss that true flange sound as when I am playing "10,000 Days" by TOOL. It has a nice sweeping sound to it that encompasses you.

i have to second the ibanez weeping demon wah, very versatile wah can do a lot of different sounds, best bang for the buck.99 dollars you can't go wrong.