My schedule
Boondar
49
WebCred
United States 48183
16 years old
I play: Acoustic Guitar, Electric Guitar, Electric Bass, 12 String Guitar, Classic Guitar, Flamenco Guitar, Upright Bass
Genre(s): Death Metal, Progressive
Last login: 01/27/2008 10:37 AM
My blog (latest entry 06/12)
Post history
My music styles
Death Metal, Progressive
Favorite bands/musicians
Steve Vai, John Petrucci, Joe Satriani, Paul Gilbert, Michael Romeo, Jimmy Page, Alex Lifeson, Yngwie Malmsteen, Jerry Garcia, Bob Weir, Jimi Hendrix, Brent Hinds, James Hetfield, Steve Morse, Michael Angelo Batio, Adam Fulara, Dominic Frasca
If I could jam with anyone it would be
Jerry Garcia
Best live concert seen
Dream Theater with Redemption and Into Eternity at the Time Warner Amphitheater in Cincinatti, Ohio. The most extreme thing i've ever seen.
Favorite albums
EVERYTHING BY DREAM THEATER, Colors by Between the Buried and Me
 My gear recommendations
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 My music recommendations
Hard, driving rhythms, complex riffage, odd time signatures, and brutal vocals seem like a constant of death metal or metalcore bands these days, but no one does it quite like Between the Buried and Me, whose mathcore-like playing has earned them spots on many tours and on Victory Records, where they stick out like a sore thumb among all the other emo, post-hardcore crap bands. The starter "All Bodies" has a riff that keeps on moving like a freight train from hell that won't let up until you pull the CD out of the stereo. The most well known songs on this CD are "Alaska", which got some video play, and "Selkies: The Endless Obsession" with its easily recognizable keyboard riff by vocalist Tommy Rogers. As the album moves along, some soft instrumentals are added in like "Breathe In, Breathe Out", "Medicine Wheel", and "Lazer Speed", which are diversions that leave you off guard for the extreme brutality of "Roboturner", "Backwards Marathon", "Autodidact", and "The Primer". Some of the songs are complex, others are short, but all have an air about them that you've just entered the strange world of Alaska. You're not in Kansas anymore.
There are some albums that have a way of taking simple tunes and turning themselves into masterpieces with every listen. American Beauty is an album that grows on you. From the starting track, "Box of Rain", to the ending track, "Truckin'", everything is perfect. All the songs use acoustic guitars, and the focus is not on guitarist and reluctant leader Jerry Garcia, but on the keyboard mastery of former keyboardist Ron "Pigpen" McKernan. Even though Pigpen sings on only two of the songs, "Box of Rain" and "Operator", he was an irreplacable member, and the band was never the same after he passed away. The lead guitar playing that Garcia was known for is not exactly present on this album as his playing skills were not that defined yet. Even so, this is a great album that should take a spot on your iPod or CD collection.
There aren't too many concept albums these days that reach the epic magnitude of Blood Mountain. The funny thing is, it doesn't have that pretentious feel that many other concept albums have. Maybe it's because the Mastodon crew are all down-home Georgia guys that still have regular jobs on top of their extreme touring schedule. The songs don't flow together, but they all have remarkable musicianship behind each of them. Songs can range from slow and droning ("Sleeping Giant") to loud and chaotic ("Capillarian Crest"), and just plain weird ("Bladecatcher"). The whole album has a simplistic premise, being lost in the mountains, but with certain mystical properties such as crystal skulls and the fictional Cysquatch. Just like the past two Mastodon releases, the album ends with an instrumental piece. The whole span of the album has enough tasty licks, guitar solos, and driving riffs to keep you occupied for a while.
The Grateful Dead is a band that always will be in American history as a band that took the main concept of what rock was supposed to be and molding other forms of music into it like jazz, blues, reggae, folk, bluegrass, and country. This album, Blues For Allah, is a wonderland of sound that will engross even a novice listener. The opening song, "Help On the Way/Slipknot!" combines a funky beat with a huge instrumental that shows off guitarist Jerry Garcia's awe-inspiring improv skills. It then transforms into the song "Franklin's Tower" which is another feel-good hippie tune. The instrumental "King Solomon's Marbles" is an acid-jazz freak-out, while another instrumental, "Sage and Spirit", is rhythm guitarist Bob Weir's melodic journey into other instruments. Another noteworthy song is "The Music Never Stopped" featuring a female vocalist and a great Garcia solo. It all ends with the stoner-like "Blues For Allah", a 12-minute sound exploration focusing more on effects and wierdness than musicianship and lyrics. Seeing as how this whole album was recorded without any preconcieved ideas on the fly, it shows that the Dead have an uncanny ability to make their ideas blend together into a stew of tasteful music.
 About Systematic Chaos  
Hopefully, none of you die hard DT fans ever read my previous review of the album Systematic Chaos by Dream Theater yesterday. In it, I stated that it wasn't that great, and that John Petrucci's lyrics had gone down the drain into a sea of D&D themed songs. I just hadn't really gotte....
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